Joe Boruchow began making paper cutouts while stenciling posters
for his Philadelphia based rock band The Nite Lights. As his stencils
became more intricate and less durable he began making prints
from the cutouts and the resulting black and white images they
produced have become a mainstay on Philadelphia’s posting
boards and telephone poles. Often provocative and funny they have
been noticed by music fans and fine art aficionados alike. Sara
Sherr of the Philadelphia Daily News said in her November 2003
profile of The Nite Lights that “even if you’ve never
heard of (the band), you can’t miss the unique cutouts and
posters designed by frontman/guitarist Joe B that adorn the walls
of record stores and coffee shops. His band’s music, like
his artwork, stands out...”
The thirty-one year old Washington DC native is self taught. He
describes how he became enamored with the ancient medium of paper
cutouts. "Making images out of paper is like sculpting and
performing surgery simultaneously. It is an exercise in excision
(it's what you remove that is important) and this has really informed
my creative process. Whether it be composing songs, performing
or making cutouts my goal is to refine an idea to its essence.
It begins comprised of many fractured elements and its my task
to decipher what serves that idea and what does not." This
results in renderings of intricate images both symbolic and emotional
from single pieces of black paper mounted on white satin. Joe
Boruchow has been involved in many solo and group exhibitions
including a 2007 juried show at the Pennsylvania Academy of Fine
Arts in which he won first prize.
His next exhibition of new works, "IMPACT: New Paper Cutouts
by Joe Boruchow", will be on display November 14th through
December 11th 2007 at The Bean Cafe, 615 South Street. It includes
his most ambitious work to date, "Death of a Patriot",
a five panel narrative and a series of six patriotic posters.
Together with salacious nudes and images of disaster Boruchow's
latest work explores the psychosexual origins of U.S. foreign
policy and its ethos. "I do not have a particular political
agenda with my work. I see my work as a kind of public Rorschach
test that is best suited to reflect the psyche of the viewer,"
says Boruchow. By juxtaposing the fragility inherent in the paper
cutout with patriotic symbols of power and violence "Impact:
New Paper Cutouts by Joe Boruchow" is an exhibition of ambitious
scope and dedication to craft.